8.28.2014

tahuata.


"'Monoi’s island'

Tahuata means 'the dawn' in Marquesan, the smallest island of the archipelago. She is accessible only by the sea situated in the South of Hiva Oa, at one o’clock of boat.

With its 50 km ² and 637 inhabitants, this small island has some very rough country, which makes land communication between the five valleys quite difficult. It is the only island of the archipelago to be lined with coral reefs, what gives worth to her very beautiful white sandy beaches and turquoise water.

The main village of Vaitahu offers some memorials testifying of the tragic past of the island. You can see three memorials commemorating the arrival of the Spanish in 1595, the memory of the victims of the clashes between Marquesans and French military in 1838 and the taking of possession of the group by Admiral Dupetit-Thouars in 1842. There are a lot of other monuments like the Catholic Church (stone walls illuminated by magnificent stained glass in the choir) or the French sailor’s cemetery.

The island abounds in places interesting to visit; The village of Hapatoni is famous for its paved royal walkway and its enchanting setting, the small museum of art and history of Vaitahu, the magnificent beach of Hanamoenoa or the petroglyphs of Hanatefau.

Tahuata has preserved her natural character and the peace and tranquility of traditional rhythms of life. She is also a hangout for amateurs of spiny lobsters, considered delicious."

credit: thetahititraveler.com, http://jplemataf.free.fr

flowers, trees and a hog.


life in the jungle.


first moments of tahuata.


12/29
22:30 GMT
9'57.790 S
139'07.124 W
Cog: 059 t
Sog: 0.1 kts
TWS: 11 kts
TWA: 028'
Anchored in Tefau, watching the sun dance off Hapatoni.

majesty from the sea.


8.07.2014

part 2 of 2.


CONTINUED...

We pulled anchor at dawn and set our sails south for Ua Poa. The wind was a steady twenty knots; everyone camped up top to brave their sea sickness. Luckily, it had turned out to be a beautiful day with minimal swell. We arrived in Hakahau, Ua Poa's main city, in time for the boys to ride the surf, encouraging a couple of young locals to join them. Alec had supplied us with a list of all the best surf spots on each of the islands and Ed was determined to ride all that were breaking. Beyond the town, an idyllic backdrop rose behind them -- shrouded in interspersing cloud cover stood the islands infamous volcanic spires, Mt Oave, Mt Poumaka, and Mt Poutemoka. Ua Pou has a reputation for its geology. Twelve pinnacles soar into the sky out of gracefully sloped valleys and white sandy shores. If for no other reason, the way the light struggles to peer out from behind its basaltic faces and undulating clouds makes the view worthwhile.

We went ashore in Hakahau and made a quick trip out of restocking our refridgerator's necessary ingredients - baguette, butter, juice, yogurt, and whatever fresh vegetables they had available. I found that the best market of all the islands was here in the end, even so much as offering whole pigs out of chest freezers. In most every city, at least you'll find a small magasin offering the likes of what you'd find at a convenience store at home. In Hakahau, one in particular offers everything from school paper to vegetables, bike parts to toilet paper, cologne to soft drinks, underwear to spatulas. Walking in town we noticed most every establishment to be closed and the local church adorned in red, an array of birds of paradise at its entrance. We assumed it to be because of the holidays. However, as we traveled back to the boat, hearing car horns blaring, we learned it was a wedding on the quay that the entire town was shutting down to attend. With the way techno music blares off the beach at most every celebration until the wee hours of the morning, it seemed as good a day as any to travel west.

After several days in Hakahau, tempted by the lands cliffs, we were determined to hike part of the island and found ourselves anchored off Hakahetau village. From its center leads a gorgeous loop trail we'd been told of. On the afternoon of our arrival, Ed and I decided to head to shore to investigate. Craziness ensued. Of what beach they have, it's all ignatious rock boulder and coral. A long, bent finger of a quay protrudes from its eastern half, some 12 feet into the air. Wrapping around the pier and extending out to its left is a great rock shelf, spotted with tidal pools and backed by soaring cavern like rock faces. On this particular day, most every child in town stood along this shelf, soaked and half naked. As we sat in the dinghy contemplating our exit, a set of waves started rising from behind us, filtered into the narrow channel between the quay and the shelf and crashed repeatedly onto the wall. Often, spray flew 20 feet into the air, showered the children in salty rain, and threatened to suck the onlookers that didn't run, out into the sea. The swell came in at such a force that our dinghy, even at full throttle, had a difficult time not catching in the space between oncoming waves and the whirlpools of those before them. For a long time we would drift in, try to find a way to land, then rush out at full speed, worried we'd crash onto shore. Ed was more than convinced it was impossible and was ready to turn back. By this time, we'd drawn the attention of many men who came to watch the show and shout various suggestions on what to do next and warn us of the shelf. In the crook of the finger of the pier (where the backwash was strongest) was a solitary ladder that, for whatever reason, we felt might assist us. Against every hesitation of Ed's, I convinced him to bring us as close as he could and then I would jump. Between two large swells, I managed to reach out and catch the middle rung with my hands, my legs dangling halfway between the wall and the dinghy that was quickly swinging back out to sea. When I made it up top, I learned that the guys weren't pointing to warn us of the shelf but rather to tell us to ram the dinghy into it, and then we'd all grab hold before the swell sucked it back out. Was this a joke? It seemed horribly stupid, but then so did all of our other alternatives. Waiting for another wave to crash, Ed took his chance, rode the wave and gunned the boat up onto the shelf, lifting the motor in the last moments of the hustle so it wouldn't crash. It took about eight of us to hold on while he climbed out and we pulled it in. A great deal of laughter ensued. We had no idea how they would suggest our getting back out.

The gentleman that had led our entrance efforts is the town's baker, farmer, and former mayor's son, Hollor. Behind him, we were assisted by Hakahetau's current mayor and the main dancers we'd seen perform in days past. As they welcomed us into town, the shelf gave way to a slight beach inlet and a highly decorated grass opening. Cavernous walls enclosed both -- goats clammoring along its walls and carved tiki peering out from high places. Everyone was making preparation for a cultural festival to be held the following several days. It was intended to be a smaller communal affair given the wedding in the town over. Dancers practiced to a lone guitar, tables were being set beneath awnings, and a fire was tended amidst heaps of meat. Tucked away on the shore, tools in hand, sat Timona. As one of the town's main stone carvers, Timona was finishing a tremendous boulder that he'd transformed into a bathing stone for newborns. After several months, he believed he was drawing nearer to its finish in time for the festival. Another carver, he told us, had built a beautiful tiki out of salt. However, with the ferocity of the waves, it'd all been washed back out to where it'd begun. Interested in seeing his work, Timona walked us to his home, allowed us to wander his workshop, and took us next door to speak with the owner of Snack Ti Piero for lunch. Opting to return tomorrow with the family, Ed and I completed our tour walking up a fourty-five degree angled road to peer out over the bay, three of the islands main spires appearing an arm's reach beyond us.

The following afternoon, we had the excitement of arriving as we had the day prior. This time, Zak and Leslie got to experience what Ed and I had been raving of all night. Though the waves weren't as foreboding, it still made for a grand adventure. We spent our afternoon under the roof of Piero and his family, delighting in some of the best smoked fish I've ever had and his son's tattoos. Arriving for the first time on Ua Poa when he was eighteen and serving for the French naval forces, he fell in love and never left. Now, thirty years later, he serves meals and fantastic stories out of his living room. This fish, his masterpiece he calls it, is cured for three days in salt, then smoked with scrap rosewood gathered from local carvers. It is accompanied by creme-fraiche. And it'll knock your socks off.

Finishing our meal, we were met by Timona's nephew and friend, sent to accompany us in our hike. Originally, we'd thought we could find our own way. That was a short lived thought. What began as a road became a path that jetted off straight into the jungle, often nonexistant or at best the size of deer trail. Beneath banyon and coconut, aside hibiscus and taro, we crossed over streams of waterfalls and ancient me'ae foundations. The climate changed through several zones the higher we carried on. Climbing the ridgeline, the lushness of banana and mango trees became fields of wild grass and sharp toothed palm. Another level of jungle gave way to a pine forest, decorated with heavy lichen and surrounded by fog. Nearest the top were delicate orchid-like flowers and flowering trees. Several times, there was little more than a rope to help carry us from one tier to the next. After three hours of bushwacking, we stood with our hands against Mt Poutemoka marvelling at the valley and L'Obsession so far below. Timona's nephew, insisting we call him John Wayne, and his friend Teki were both performing in the evenings dance. Given the hour, our descent was set at a fast pace, though in combination with its steepness and slipperiness, we found ourselves sliding down the mountain more frequently than we walked it. Our five hour jaunt, after the morning's excitement, seemed to give voice to the saying that the best things in life are not often the easiest.

Sweaty, dirty and bleeding, we made our way to the festival and were asked to dine beside the mayor and Hollor. While Ed and Leslie spoke with the mayor, Zak and I conversed with Hollor about his family and the struggles of being a farmer on the island. Like most everywhere else, growing lettuce is rarely more profitable than growing "other sorts of green", though with his passion for fruits and vegetables, he can't help but grow more than the town can eat. He spends the other half of his time as the town's baker, delivering coconut bread and pastries to local magasin's. It stood without reason, then, that his jaw dropped open when Zak and I discussed his ability to merge both farmer and baker as one with a certain modification in butter choice.

The night commenced with the dance chief dressed again in nothing more than tattoos, a guitar, and a loin cloth belting sorrowful Marquesan songs. A series of dances were performed to his music until all gathered around the decorated knoll, now alight with torches. John Wayne and a dozen others moved to the powerful choreography of a fire warrior dance, grunting to the rhythm Teki pounded into his drum. In the intimacy of that space, their dance felt much more profound than what we'd seen at the festival.

Zak and Hollor's connection over music brought about his joining us on L'Obsession to fill his thumb drive with new tunes - Tupac among the favorites. Late into the night, we talked about how we'd come to be where we were and how much he misses his daughter. Given a boat full of fruit, he wanted nothing more than a t-shirt and some whisky for his friends. Dropping him off at the craziness of the pier that evening, we were told we'd always have family in Hakahetau if we ever returned, and he in California.

Determined to begin our journey to Tahuata as planned, Ed and I set to reeling in our stern anchor. For four hours, we made every attempt to get it to budge after burying itself entirely in the sand. Thank the heavens that L'Obby's such a strong lady. An hour from sunrise, I took the helm and sailed off into morn. It'd been a remarkably beautiful and long day. Tahuata, we were on our way!

Hope all finds you well.

Fair winds, friends.

The crew of L'Obsession + two awesome adventurers

some fruit for some tupac.


these photos don't do its majesty, or difficulty, justice.


spires in the valley of kings.


"This is the story of the pous (columns). On Ua Pou there are these rock formations that look like columns pointing into the sky.

One of these columns is named Poumaka.

Before Poumaka was born there were other pous on Ua Pou. But they were killed by a pou (column) who came from Hiva Oa. This pou was named Mata-Fenua. When he killed the pous of Ua Pou they fell down and now they lay around Ua Pou and they appear as ridges between the valleys that run into the sea.

When Poumaka was born he walked around Ua Pou and he saw the dead pous and he asked, "Who killed these pous." He was told that it was Mata-Fenua. So Poumaka decided to go down to Hiva Oa and to take revenge for the death of these pous.

When Poumaka reached Hiva Oa, Mata-Fenua was scared and he ran down to the eastern end of Hiva Oa. Mata-Fenua went to the western end of Hiva Oa and he killed a pou named Kiukiu. Kiukiu lies there to the west of Hanamenu valley.

Then Poumaka went to the eastern end of Hiva Oa and he fought and killed Mata-Fenua. He chopped off Mata-Fenua's head and he tied that to his loin cloth and then he returned to Ua Pou. The body of Mata-Fenua is the great ridge that runs into the sea on the eastern end of Hiva Oa.

If you go to Ua Pou today, there is a low hill besides Poumaka: that is the head of Mata-Fenua.

I [also] mean no disrespect to the people of Puamau, Hiva Oa for telling this story about how their pou was killed."

credit: tongatapu.net.to, svbintalkhamseen.org

snack ti piero -- "fish cooked three ways; my unique specialty".


the heart of master craftsman, timona.


it's worth getting to shore.


farther along the coast.


12/27
20:25 GMT
9'21.432 S
140'06.274 W
Cog: 174 t
Sog: 0.2 kts
TWS: 5.2 kts
TWA: 016'
Anchored in Hakahetau -- Ua Pou

between surfing and making beats.


the last of the northern islands.


"Ua Pou, small mountainous island, is one of the most beautiful and typical of Polynesia. Its wonderful setting, consisting of a central range of basalt peaks in the shape of sugarloafs, overlooks the sheltered bay where Hakahau (its main village) groups the majority of the 2157 inhabitants that make a living of fishing, copra and handicrafts.

Ua Pou, which has kept its strongly anchored traditions, is well-known for the inherent artistic qualities of its wood carvings, tattoos, musicians and dance artists.

The island has a wealth of archaeological sites that it takes time to discover, for example, during a horseback ride. Enjoy beautiful beaches like that of Anahoa, search for the famous “flower pebbles” of Honoi or discover the mysteries of the Valley of King.

From this cultural dynamism was born the Marquesas festival, Matava’a, a bi-annual event amongst Marquesans and a real meeting ground for artistic talent in order not to forget this beautiful culture."

credit: thetahititraveler.com, tahiti.carnet-de-voyages.net

welcome to ua pou.


"they'll make great holiday cards; your mom will love this one."


8.06.2014

a christmas sail.


12/25
20:24 GMT
9'21.492 S
140'02.823 W
Cog: 061 t
Sog: 0.1 kts
TWS: 7.8 kts
TWA: 009'
Anchored in Baie d'Hakahau - Ua Pou

what happens AFTER church.


happy holidays, everyone.

part 1 of 2.


Howdy All,

The first night we arrived in Taiohae with Bill, in our adventure to find lobster, our assumptive minds were led by the notion of finding clearly defined signs. We never found them. Instead, we were lost on a back driveway in the company of a very large dog and a curious family. When we decided to ask for clarification, a local gentleman refused directions and insisted on offering a ride instead. Weeks later, Laurent continued to be one of the first faces we'd see every morning preparing his fishing boat for another day of hard work. He, like many of those gathered at the wharf in the morning, set a comfortable pace to our days. I had come to realize that though the tents on the wharf have color, it's the characters below them that give those colors their vibrancy.

Kimi is one such person. The exuberant energy of a three year boy brought about our meeting one morning when I paddled to shore. Through a beeming, though shy, smile, the child said hello and asked me if he might be able to stand on the board I brought in. In exchange for teaching him to paddle board, he offered his laughter. Then he commenced to show me the skills of playfully shooting one another with our hands. Kimi, caring for this child, was naturally apprehensive and set to asking a hundred and one questions about who I was and what I was doing there. Of course, it took all but five minutes for him to feel comfortable enough to make fun of me, and I of him. Trying to be serious, it was his truth to be all smiles and sillyness. It set in later when, after raking the beach with him in preparation for a local fundraiser, I asked what the event was for and found it was so he and his friends could travel to Hawaii together for their sixtieth birthdays. He was generous with his time, anxious to share the pride of his family, and enthusiastic of my learning the Marquesan way. He openly shared folklore and history, food and friends and always made me feel like part of his family. French, he said, I could learn anywhere from anyone. Marquesan, on the other hand, I needed to learn right then and there. But the value wasn't really in learning its words, it was understanding that as a language, it's meant to be sung. I never truly succeeded, try as he might, but he certainly made it impossible to forget.

Another of these characters I knew very little but witnessed her quiet energy often. It was always reassuring to find Rose sitting beneath the Tiare (Gardenia) and Ko'ute (Hibiscus) trees, inviting children around her glowing presence like a lighthouse. Rose and I had met in weeks past whilst walking back to the wharf from the other end of town. Though I was enjoying my early morning stroll feeding the local dogs pastry (bad, I know), she insisted on giving me a ride. The way she smiled and sang hello, I thought it disrespectful to have refused. In the seven or so minutes it took to cruise the waterfront, Rose asked for my permission to pray over us -- which she did in repetition until I set foot outside the door. Say what you will of small gestures, Catholicism and the rest, but beyond the value and judgements we place on these things, Rose was brave enough to share her compassion limitlessly and unyeildingly with an absolute stranger. When our paths converged in the morning, even when she sat alone, coffee cup in hand, whatever it was resonating within her I could never doubt.

And those are only two of so very many.

And so, our days were never complete without a visit to Henry's place sucking down pompelmous juice and chatting it up with whomever was around. It was only befitting that Leslie and Zak's introduction to the island took place beneath its shade. We'd just spent the last two days cleaning up our incessant (?) mess
-- stains and scraps from time immemorial. A gift from our friend Alec, a huge chunk of freshly caught tuna, was awaiting them on ice. But with the decks swabbed and window's gleaming, L'Obby was in presentable shape. And so was the town! After three days of festival, Nuku Hiva's dance group saved the best for last and offered a local performance -- just in time for their arrival. It felt better knowing they could witness at least part of why we'd chosen to stick around.

Though the real fun came Christmas eve. Spending the day about town, we learned that Henry's was hosting a holiday party once everyone finished attending Mass. Inspired to take part in the grandness of Marquesan culture, I walked that eve in the direction of echoing hymnals and flower trees adorned with Christmas lights. By the way cars were aligned along the waterside, it appeared the entire town to be inside. When I arrived at the door, service had already begun. Expecting (and hoping!) to enter discreetly in my foreignness, I was instead ushered beyond the entire congregation to the very first pew, smothered in the curious glances of the children I sat amongst. I was told to expect a lot of color inside, though with the exception of floral garlands, everyone was in white -- an even greater surprise. It gave plenty of space for my face, now embarrassingly red, to stand out amongst the rest. Once I got over myself, the remainder of Mass was tremendous -- the beauty of verse sung far into the night. Several soft guitars and a drum helped to serenade the lilting melodic voices of the congregation. Birds flew freely amidst finely carved rafters and open walls, the breeze carried in alongside them.

Although I couldn't inspire the family to go, once I returned home I found out why; they were all on deck sipping celebratory rum with Phil! After hearing of my seat, it was confirmed they'd made the right decision. Heading to shore, several tents covered a dozen tables. A small tree had been placed in the center, tinsel wrapped around the canopy, a buffet of fresh fish, salads, and rice spread down its center. On either end, two opposing musical interests delighted the crowd. On one end, a Russian cruiser, lone with his voice and guitar, and on the other, three young men with ukeleles and the voice of one of their mothers. Eventually, the energy of the ukelele jam inspired all to dance and won over the crowd. Until two in the morning, we celebrated alongside new friends and old, sharing plans with those of the sailing community that were in attendance. A fleet of boats were heading out the next morning and reconvening on another island. For those that stayed, we left saying goodbye under the same awning that brought us together, hoping one day that our paths might cross amidst the great blue again.

TO BE CONTINUED...

self-gifted presents: pompelmous juice and banyon, the dog.


christmas eve meanderings.


kimikamayamaya.


leaving hane.


12/22
22:30 GMT
8'56.588 S
140'04.064 W
Cog: 272 t
Sog: 7.0 kts
TWS: 16.6 kts
TWA: 125'
Sentinels in sight - ETA: 4:30 (local time)

a canadian named phil.


a look that can say everything all at once.


birds of paradise.


marquesas art and culture festival.


"In 1986, the members of the cultural organisation “Motu Haka o Te Fenua Enata ” set up the first festival of the Marquesas on the island of Ua Pou. Indeed, they were worried about things being forgotten over time if the Tuhuka (wise-men) no longer exist.

They encourage young Marquesans to approach these carriers of knowledge in order to be trained, and learn about their traditions to revive their ancestral culture.

This is how the “Matavaa O Te Fenua Enana ” or the Marquesas Art & Culture Festival was created. It takes place every 4 years on one of the 3 most populated islands of the archiepalgo: Ua Pou, Nuku Hiva, and Hiva Oa. The next one will occur in December 2015 in Hiva Oa.

This festival represents the opportunity to perpetuate Polynesians rites and ancestral traditions through language, songs, dances (which includes the famous Haka), sports, sculpture, tattooing, etc.

This festival brings together more than 1800 participants from the different corners of the Polynesian Triangle (Hawaii, New Zealand, the Easter Island), and opens the Marquesas archipelago up to the world.

Participants and visitors are immersed in the Marquesas culture through various activities such as dancing, songs, sport, art, and of course tattooing.

It is also one of the unique opportunities to discover the Marquesas culture, these volcanic islands whose dramatic landscapes leave a lasting impression in the heart and mind of their visitors."

credit: tnt.pa-tahiti-tourplan.com

insta-tattoos and kai kai.


8.05.2014

ua huka.


"A crescent shaped island situated 22 miles east of Nuku Hiva and 35 miles northeast of Ua Pou, Ua Huka is the smallest of the northern Marquesan group and home to 539 inhabitants. A vast plateau spreads out at the base of Mount Hitikau, with an arid, desert like topo scrub brush.

















The population lives mainly horse breeding in the highlands, because there are more horses on the island than people. Wild horses roam the tablelands and herds of goats graze around and on the small airstrip. Wild cotton and fragrant herbs cover the hills of the southern coast and offshore islets are home to thousands of sea birds. The coast off Haavei is rich in sea life, filled with sharks, dolphins, manta ray, big turtles, lobster and a variety of fish.

The oldest archaeological site so far discovered in the Marquesas is at HaĆ­atuatua in Hane, which was settled between 254-300 A.D.

A second archeological site of Vaikki permits each visitor to admire ancient petroglyphs. A small museum of Marquesan artifacts is found in Vaipaee, a second museum in Hane and the fern-covered valleys conceal ruins from the seven tribes who formerly inhabited Ua Huka."

credit: pacificislandtravel.com, thetahititraveler.com, tahiti.carnet-de-voyages.net

island life.


shade.